Backlog Battle Report (6th Nov 2017)

Couple of things before we go into this week’s update. Firstly, you might notice that there’s been a new Right Click to Zoom at long last in the post below this one, so if you didn’t know about that I’d strongly suggest checking it out. I spoke at length about Morrowind, one of my favourite games, not to mention one of the most influential on me when growing up.

Second, I’m giving a quick plug to a new website called Switch Indie Reviews which, well… is a website for Nintendo Switch indie reviews. Go figure, right? It’s brand new, it looks really shiny, and I just so happen to have applied for and been accepted to be a staff writer for it. So if you like my work and want to see more of it, there’ll be articles there in the coming days. I’ll be sure to link all those reviews back to this blog for conciseness, so please look forward to that.

On to the games, then!

DOOM 2016 (PC) — I’m a man of my word

Last week I was in the mood to play some DOOM and listening to the soundtrack, so this week I followed suit with that and played a bit more. I rarely invest a lot of time into it, but it’s fantastic for just picking up and playing another level or two of the campaign every so often. Shouldn’t take me much longer to finish it I’d imagine, but no big if it does; it’s just a very satisfying and visceral experience that’s great to just pick up, play, and put down without commitment.

The game does occasionally get a little bit of criticism that it just falls into the pattern of “find an obvious arena, trigger it filling with demons, kill the demons to proceed”. Personally, while this is obviously a big part of it, I haven’t found it nearly as obnoxious or as one-dimensional as some claim. There is a small chunk of downtime in between each of these encounters, where you’re given a chance to explore, find secrets, and wind the tempo down a little before building back up explosively.

Perhaps this changes as the levels get later, but regardless, I find that I’m often in a fairly good rhythm with it. All that said, I did immediately dump my upgrades into having secrets and collectables appear on my map so I can hunt them all down and get back to the shooting quickly. My completionist tendencies are likely to get the better of me if I keep wandering too long.

Damn, even thinking about this game makes me want to play some more. What a great shooter DOOM is.

Continue reading “Backlog Battle Report (6th Nov 2017)”

Advertisements

Right Click to Zoom — Fans vs. Funds; A Comparison of Project AM2R and Metroid: Samus Returns

Welcome to this week’s iteration of Right Click to Zoom, the more in-depth article side of this blog. Today, I’ll be looking into both Project AM2R and the newly released Metroid: Samus Returns, and comparing their different game design choices.

As far as I can tell, this is quite possibly a unique situation to have occurred in video game history. The original Metroid 2 was released on the Game Boy in 1991, and now decades later it has received two full remakes within a year of each other. It’s a rare opportunity to study how different developers and game design decisions can impact the delivery of what is effectively the same game, not to mention what elements of the original source material they keep or discard. Let’s give a brief synopsis of the two first for those not familiar.

Project AM2R (short for Another Metroid 2 Remake) was first begun in 2007 and released in August 2016, coinciding with the 30th anniversary of the Metroid franchise. The game was largely the work of Milton “DoctorM64” Guasti, who maintained the AM2R site with a blog of his development updates and design choices. Over the years, he was very thorough in explaining his decisions, ambition, and scope of the game, showing a remarkable amount of professionalism. The process was understandably ongoing, but the end result was an incredibly high quality fan-game incorporating features and updates from the entire Metroid series to that point.

You can still read this development blog on the AM2R website. Sadly, a DMCA claim by Nintendo means the game is no longer officially supported or available for download on the site, but is nonetheless on the internet and easy to find. In fact, just this month an update was released by a dedicated team of fans using the game’s source code, implementing both a New Game+ and Randomizer modes that I will likely try out in the near future.

Metroid: Samus Returns, on the other hand, is the first official “true” Metroid game in the series since Other M in 2010 (the exception being Federation Force, which takes place in the same universe but is a Metroid game in name only). Back in 2015, developers MercurySteam pitched a remake of 2002’s Metroid Fusion to Nintendo for the Wii U/3DS. While the pitch failed, the prototype impressed series creator Yoshio Sakamoto enough to see the team hired to develop their own official Metroid 2 remake instead, and Samus Returns for the 3DS is the result.

Having just played through Samus Returns and completing it the weekend it came out, I believe that MercurySteam did a fantastic job in delivering their vision of the series. At the same time, so did AM2R, so now it’s time to look at what they both did.

Continue reading “Right Click to Zoom — Fans vs. Funds; A Comparison of Project AM2R and Metroid: Samus Returns”

Dawn of Another Day – A Second Opinion

While I have many games to talk about in the coming days, I’ve been neglecting to post one important thing. Following up on my write-up regarding Majora’s Mask and how I felt about it, the friend that I played the game with chose to write his own thoughts on the matter as well. This turned into a rather lengthy but interesting discourse about the key differences between Ocarina of Time and Majora’s Mask, including what each does best.

Since it’s such an interesting read and in keeping with the general spirit of this blog, he’s requested that it be posted here and I am only too happy to do so. He’s chosen to remain anonymous, but nonetheless, the rest of the post beneath the cut is all his writing.

Continue reading “Dawn of Another Day – A Second Opinion”

Dawn of A New Day

It took three separate purchases, multiple years, and countless attempts before I finally stuck with it and completed it, but it’s done at last: I have beaten Majora’s Mask. Strike one off the backlog, and particularly off the Bucket List.

It’s hard to say much about this game that hasn’t been said in the decade and a half since the game first debuted. There are two particularly vocal stances on how the game was received: either that it was good, but Ocarina of Time was better; or that it’s the pinnacle of the Zelda series because it eschews much of the formula in order to tell a very different and darker kind of narrative. I can see where both schools of thought would rise from, but my opinion is much more moderate than them.

I’ll cover some logistics about my playthrough first, because it’s relevant to how I approached it. Rather than play this solo, the entirety of the game was played in tandem with a good friend of mine, and while he’d finished the game many years ago he didn’t remember all the details so it was still fresh enough for us to experience unhindered. We were both present for the whole game, watched the entire thing, and just swapped controllers every so often. It was helpful to get extra opinions and suggestions for some of the trickier puzzles, and it meant we had somebody attempting new things while the other was looking up answers so we didn’t get completely complacent and reliant on guides.

This was a pretty good setup for playing the game. My friend holds Ocarina of Time in extremely high regard, so he was interested in replaying Majora’s Mask to see how it held up by contrast, and I had never experienced the game, so we both had different viewpoints that we could discuss as we progressed. It also meant that if we got stuck or frustrated, or else were doing tedious filler tasks and grinding, we could pass the controller back and forth in order to keep focused. Quite frankly, had we not been doing so, I imagine it would have taken much, much longer to finish alone – hence why I haven’t finished it before despite multiple attempts.

Nonetheless, with this setup in play, we finished the game in about four extended play sessions. We didn’t 100% the game, but we did get to the point that we considered effectively “complete” – we got all the masks, including the Fierce Deity mask, we completed most of the major sidequests in the Bomber’s Notebook (especially the legendary Anju and Kafei quest), and we made sure to beat the final boss before getting that final mask so it was still actually a challenge. Clearing it afterwards with the mask was absolutely laughable – that thing is utterly disgusting in how overpowered it is but I guess that’s the point.

So, my experience with Zelda games is actually different from many, as I usually find a lot more enjoyment in the 2D games. If I had to pick three personal favourites, they’d be Link’s Awakening, Oracle of Ages, and Wind Waker, which is different from what many consider the best entries in the series. I did enjoy Ocarina of Time and I cannot deny that it earns much of the praise it gets, but it took me almost as many attempts to finish as Majora’s Mask did, so I can hardly say that it gripped me right to the end. In fact, that’s the case with most of the non-2D Zelda games – it takes me a tremendous amount of time to stick with them long enough to see them through to the end. I don’t know if that’s anything to do with the series or just my personal approach to playing.

Regardless, Majora’s Mask is an interesting experience, but not enough to actually break that habit of not being able to stick with it. I don’t really know what that means for how the game performs as a whole. It definitely stands out in contrast to the other major Zelda games though, in the sense that the overall game experience is much more focused. Rather than the biggest, most sprawling world it can manage at the time, Majora’s Mask covers a smaller (but still sizable) area and has you focus on it and its intricacies in a more… let’s say intimate fashion.

Clock Town felt more personable to me than any part in Ocarina of Time, for example, because I spent so much time interacting with it in different ways and learning its secrets. Most importantly though, I learnt about the secrets, habits, interests and lives of the occupants. With most of the models and features lifted completely from the sister game, any developments in graphics went instead to making these characters more interesting.

Each of them had a story to tell, and the Anju and Kafei sidequest showcases that best: gradually uncovering the relationship of these two characters with their own troubles and problems, helping them out with them, and then finally being there to witness their joyous reunion literally moments before the world is ending. Their insistence on being together and waiting for each other to uphold their promise was quite touching. While it’s the major sidequest of the game, there are a number of other small examples of it throughout the game, and it really made the world of Termina feel much more personal than the average Hyrule visit.

It’s this element of delivering the narrative that allows Majora’s to really keep my attention slightly more than other Zelda games, I feel. Generally, the standard Zelda game will have you know roughly how the game is going to play out, since you’re eventually going to get all the pieces of X in order to solve Y and fight Ganon, whether that’s assembling the Triforce or finding some other means to solve the plot. Even if there’s sometimes padding between this, or the actual item gathering is split in half (like Ocarina seeing the first third of the game opening the Temple of Time, and then the second half unifying the Sages), this is generally how it pans out.

This happens in Majora’s Mask as well – restore the four spirits of the land in order to stop the moon from falling. You know that’s the objective from the end of the first three days, where Skull Kid makes it perfectly clear that the confrontation with him will be the end and everything you do works towards that. But the extra stories of the various characters across the world and how they interact or interplay with one another made it feel just that little bit more personal and appreciable to me, and I think that aids Majora’s narrative as well.

It’s also quite a dark and mature game by Zelda standards. Sure, Ocarina of Time sees the world fall to darkness under seven years of Ganondorf’s tyrannical rule, but even then the people in Kakariko Village and elsewhere are living their lives and functioning to a point. By contrast, Clock Town can see their inevitable end and knows that it will arrive in just a matter of days, with each day seeing them more and more panicked and divided on whether to flee, or whether to embrace their end.

The areas themselves are also dark, dreary and somewhat uninviting compared to their counterparts. The frozen mountain of the Gorons is cold, desolate, and lacking their leader. The Zora are depressed because their singer has lost her voice. Ikana Canyon is a desolate wasteland inhabited only by the undead and living in the shadow of their fallen kingdom – coincidentally, this was probably my favourite area in the game, since it really portrayed that sense of darkness and despair best. It was also quite sad that each transformation mask came from the death of a hero or strong representative of the race, and they all acknowledge you as that fallen person despite them actually being gone – Link gets little direct credit for much of what he accomplishes, and at the end who they believe to be their hero will be dead and gone regardless of what you accomplish.

Despite all this dreariness, it still pushed me to want to learn and explore more, and helping the residents with their issues in order to access more of the world felt much more relatable than other Zelda games. It was that extra touch that made the narrative more enjoyable to me, and so I can definitely see why it’s Majora’s Mask that is praised for being the deepest and most interesting Zelda game, if not the best in terms of gameplay.

So in gameplay, did it hold up? I think so. The core elements and items that are basically on the Zelda checklist all make their appearance, what with the bow and various magical arrows, the hookshot, the mirror shield, an instrument… but I liked that the transformation masks were all both familiar yet added new layers of complexity to the game. Goron rolling quickly became our default mode of transportation, the Zora form was useful for its interesting boomerang mechanics and awesome swimming, and fast moving, area damaging and high flying Deku Scrub can’t be understated. Swapping between masks and utilising Ocarina songs in quick succession could be awkward and irritating in places, but nothing I wasn’t able to get over quickly.

In addition, the dungeons were well designed, interesting to explore, offered a number of little exploration challenges in finding the stray fairies, and so on. I also liked that most of the key items actually came from not the primary four Temples, and the treasure of each was either the bow or a new type of arrow that behaved differently. It made it feel that you could go and explore the world more without necessarily having to go clear each dungeon sequentially, even if that’s what you did. It also allowed for a lot of time in between dungeons to be spent finding the new areas or seeing what it allowed us to do in order to better aid an NPC’s requests.

I think I’ve waxed on about the game for a bit now, so I’ll take a moment to bring up a few quick cons. Again, there were times where rapidly swapping between masks and trying to play songs frequently could get somewhat tedious, notably in the Stone Tower and subsequent Temple where you had to play the Elegy of Emptiness multiple times to hit several switches at once. The Zora behaved very awkwardly in combat, even underwater.

There was one or two puzzles that were really obtuse and needed a guide, such as allowing yourself to get grappled by an enemy in order to be thrown up to a key, even though you’d instinctively defeat the enemy each time. And a few of the sidequests relating to people were on such tight schedules and performances that it required multiple resets back to the First Day in order to complete it… though that said, with the Song of Inverted Time, I rarely felt that the time limit was otherwise too imposing or worrisome and cleared the dungeons in time.

One big thing was that many of the boss fights were extremely hit or miss. The first boss in the Woodfall Temple (don’t remember his name) was complicated and interesting. The Goron rolling chase that was Goht was a lot of fun. Fighting the skeleton bosses in the throne room of Ikana Castle was awesome, and the final boss was quite enjoyable and suitably challenging until I properly learned the pattern – I got a suitable thrill and cheer out of beating him with only a heart to spare.

But otherwise, many of the bosses were extremely weak and plain. The worms in the Stone Tower were awe-inspiring to fight even after you became Giant to combat them, but they were otherwise super simple and dull, though I understand that this fight was made more complicated and fun in the 3DS version. The fish boss in the Termina Bay Temple was dull and uninteresting, and did way too much damage for what it was. Quite a few of them just felt like a letdown.

Still, many of these are ultimately little annoyances. At the end of the day, I quite enjoyed my time in Majora’s Mask. It was an interesting narrative experience, had some well designed puzzles and dungeons, had a few good fights, and overall was an enjoyable game to play.

That said… I’m fairly certain everyone has known that since 2000. Oh well!

It’s the end of January and we’re hitting the first influx of newly released high priority games this year, so I’ll be picking up and going through as many of these as I can. Look out for my thoughts on those in the coming days.